The Temple Motif in Ezekiel

The temple motif pervades Scripture. And I am willing to argue that it is one of the main theological realities that holds the whole together. If one understands the biblical theology of the temple, one really does understand a great deal of how Scripture, how history, and how theology are unfolding.

Ezekiel's prophecy provides no small witness to that biblical theology. The temple teaching in Ezekiel, however, cannot be understood solely on its own terms (which approach would be hermeneutically unsound, since that's not the way Scripture works). Unless one already grasps a good deal of the sweep of the Bible's temple teaching, one will likely simply be befuddled by Ezek. 40-48, or just flatly misunderstand it and do damage to the glory of Christ.

Consider the broad-brush painting of Ezekiel produced by the palette of William Dumbrell, a man who has labored in the canon for many years and understands its interconnectedness.This portrait gives only a hint of the scope of the temple teaching in the Bible, but one can hear and see Genesis to Revelation in this brief word focusing on Ezekiel:

Yahweh is depicted in Ezekiel 1 as enthroned and accompanied by ministrant attendants. . . . They function only as bearers of the throne. Yahweh is moving from his heavenly palace, in judgment against the Jerusalem temple. The book thus commences with Jerusalem and her temple under imminent judgment. Yet the covenant faithfulness of Yahweh has led us to expect a movement beyond judgment. So the book of Ezekiel concludes with the magnificent conception of Yahweh enthroned in what must be the New Jerusalem, permanently located among his people in a new city from which, in Eden terms, the waters of life flow.

—The Faith of Israel: A Theological Survey of the Old Testament (Grand Rapids: Baker, 2002), 153.